Black and White Tango is an early tango performance work created and presented in 2005 by Dardo Galletto through his company, New Generation Dance Company, exploring the stark elegance and emotional contrast of Argentine Tango through a contemporary stage lens.
Content Type: Choreography
Zum (New Generation’s Argentine Tango Show) Dardo Galletto 2005
Zum is an Argentine tango stage work created and directed by Dardo Galletto in 2005 for New Generation Dance Company, his company. The piece blends traditional tango vocabulary with theatrical staging, highlighting New Generation’s early artistic identity and its approach to contemporary tango performance on stage.
El Rey Del Tango (New Generation Dance Company) Dardo Galletto 2007
El Rey del Tango is a stage tango production created and directed by Dardo Galletto for his company, New Generation Dance Company, premiered in 2007. The work blends traditional Argentine tango with theatrical storytelling, showcasing Galletto’s choreographic voice and the company’s early vision of contemporary tango performance for the stage.
Adios Nonino (New Generation Dance Company) Dardo Galletto 2007
Adios Nonino is an Argentine tango work choreographed and directed by Dardo Galletto for New Generation Dance Company, created in 2007. Rooted in the emotional depth of tango tradition, the piece blends musicality, intimacy, and theatrical presence, reflecting Galletto’s early artistic vision and the company’s commitment to contemporary Argentine tango performance.
Bahia Blanca (Dardo Galletto Studios Student Company) Dardo Galletto 2013
Bahia Blanca is a student company tango work choreographed by Dardo Galletto in 2013 at Dardo Galletto Studios, created as part of the studio’s performance-based training and repertory development. Presented by the student company, the piece reflects Galletto’s Argentine tango language adapted for emerging dancers, emphasizing musicality, ensemble work, and stage presence within an educational performance setting.
Jacob’s Pillow (New Generation Dance Company) Dardo Galletto 2014
Jacob’s Pillow documents Dardo Galletto’s work with New Generation Dance Company at the historic Jacob’s Pillow Dance Festival in 2014, presenting Argentine tango choreography rooted in theatrical structure, musicality, and ensemble performance. This work reflects New Generation’s early international presence and Dardo Galletto’s role as founder, choreographer, and artistic director, bringing contemporary tango to one of the world’s most recognized dance institutions.
Tanguera (Argentine Tango Show for Accent Dance) Dardo Galletto 2019
Tanguera is an Argentine tango performance created and presented for Accent Dance NYC, showcasing Dardo Galletto’s choreographic work within a contemporary concert context. Premiered in 2019, this video documents the piece as performed for Accent Dance, highlighting Galletto’s musicality, theatricality, and approach to modern tango on stage.
Gala (Contemporary Tango Show at Dardo Galletto Studios) Dardo Galletto 2019
Gala is a press-recap and promotional video documenting the 2019 contemporary tango event by Dardo Galletto at Dardo Galletto Studios, featuring excerpts from multiple works presented during the evening. The video captures highlights of the performances, offering a curated overview of the choreography, dancers, and artistic direction showcased at the Gala.
Sarita Solo (Contemporary Dance Solo) Dardo Galletto 2017
Sarita Solo is a contemporary dance solo choreographed and performed by Dardo Galletto in 2017, showcasing an intimate exploration of movement, musicality, and personal expression. Presented as a focused contemporary dance work, this solo reflects Galletto’s choreographic voice through precision, emotional depth, and minimalist staging.
Don’t Cry For Me Argentina (Galletto Dance Show) Dardo Galletto 2016
Don’t Cry For Me Argentina is a contemporary Argentine tango performance choreographed and performed by Dardo Galletto for Galletto Dance, presented in 2016. Blending theatrical storytelling with classical tango technique, the work explores identity, longing, and political memory through a refined stage language that reflects Galletto’s signature approach to narrative dance performance.
